Harry Callahan


was an American photographer who is considered one of the great innovators of modern American photography. He was born on 1912 in Detroit , Michigan and started photographing in 1938 as an autodidact. By 1946, he was appointed by Laszlo Moholy-Nagy to teach photography at the Institute of Design in Chicago. Harry Callahan retired in 1977, at which time he was teaching at the Rhode Island School of Design. Harry Callahan left almost no written records--no diaries, letters, scrapbooks or teaching notes. His technical photographic method was to go out almost every morning, walk the city he lived in and take numerous pictures. He then spent almost every afternoon making proof prints of that day's best negatives. Yet, for all his photographic activity, Harry Callahan, at his own estimation, produced no more than half a dozen final images a year. He photographed his wife, Eleanor, and daughter, Barbara, and the streets, scenes and buildings of cities where he lived, showing a strong sense of line and form, and light and darkness. He also worked with multiple exposures. Harry Callahan's work was a deeply personal response to his own life. He was well known to encourage his students to turn their cameras on their lives, and he led by example. Even as he did this he was not sentimental, romantic or emotional. Harry Callahan illustrated the centrality of Eleanor in his life by his continual return to her over 15 years as his prime subject -- she was subject more than model -- but the images are not about who she was, what she did, what she thought as an individual. Harry Callahan's art was a long meditation on the possibilities of photography as it might be used playfully, but not naively. Eleanor was essential to his art from 1947 to 1960. He photographed her everywhere--at home, in the city streets, in the landscape; alone, with their daughter, in black and white and in color, nude and clothed, distant and close. He tried every technical experiment--double and triple exposure, blurs, large camera and small. The attitude of respect and warmth permeates the endeavor. In 1950, his daughter, Barbara, was born, and even prior to her birth she showed up in pregnancy photographs. From 1948 to 1953, Eleanor, and sometimes Barbara, were shown out in the landscape as a tiny counterpoint to large expanses of park, skyline or water. No matter how small a part of the scene they are, they still dominate the viewer's perception. Harry Callahan's work is personally oriented; many of his pictures artistically interpret his family relationships. His early work experimented with representational abstraction; his later work in color included additional subject matter, both city and landscapes as well as multiple exposures.

Harry Callahan died in Atlanta in 1999.


Biography: Lee Gallery